Life is good. I finally got my Twin Peaks Pilot DVD. It’s only made in Taiwan and I had to import it from Hong Kong, but it’s Region 0 (meaning it plays on ALL DVD players) and it’s the only way to get the original pilot episode of TP on any format, ever.

To explain, Twin Peaks (not the best link, but it does have a good FAQ) was a television show in the early 1990’s. Described by some as “fucked up” and others as “brilliant”, it often draws allusions to the Star Trek series in terms of cult-like followings and the sorts of people who found it intersting. It also more or less shared Trek’s initial fate, if not it’s ultimate one. TP‘s first episode opened with the discovery of a body on the shores of a lake wrapped in plastic. The High School girl, Laura Palmer, had been strangled and an FBI agent (Cooper, played by Kyle MacLachlan) was dispatched to help solve the case.

However, while TP started out as something of a murder mystery, it quickly changed to an evening soap opera on the caliber of Dallas – read: it got complicated really quickly. And it was initially quite popular, but its popularity (short of a devout following) waned over time as the murder mystery went unsolved. The brainchild of David Lynch, the original idea was to never reveal the murderer, but rather Cooper would slowly get enschonced in the town and the murder would just sort of be in the background. When the ratings declined, the producers decided to go ahead and reveal the murderer 14 episodes in. Of course, if you thought the whole point of the show was the murder mystery, then there was little point to watch after that and the show was cancelled after two seasons.

Like Trek, the idea after that was to do movies after that, and there was one TP movie, Twin Peaks: Fire Walk With Me, was a prequel. Due both to misunderstood demand and the fact that it took so long to make the movie due to MacLachlan’s not wanting to play along, the movie bombed and there’s been nothing in the way of TP ever since.

Of course, there’s always been a small, devout following and there have been festivals, conferences, a magazine (called Wrapped in Plastic) ever since. And there have always been attempts to have the show and movie on the popular video formats. These attempts have been mostly successful, but marred by a simple fact revolving around rights issues. The prequel movie has been on video and laserdisc and will be on DVD soon (under the New Line Patinum Series), but the television episodes have been a different matter.

The television show consisted of 30 total episodes, a 2-hour pilot episode and 29 regular episodes, one of which was 2 hours, the rest were 1 hour (though the last two episodes were broadcast together). For a producer, it’s standard practice to finance a pilot episode yourself (somehow) and to “sell” it to a network, which will fund the subsequent episodes. David Lynch and Mark Frost, however, had problems securing funding, so they decided to sell the video rights to the pilot episode to Warner Bros. to get the money they needed. WB had a proviso, however, in that they required that the producers film an alternate ending so that they could sell a self contained 2 hour movie version of the show (with no intention of making this version into a series) to networks in Europe. This version of the pilot is often referred to as the European Pilot or the Euro Pilot.

When the TV show was cancelled, Worldvision bought the rights to the episodes to put them on video. They acquired the rights to the 29 episodes, but they were unable to purchase the rights to the pilot because WB wanted too much for it – the cost of acquiring the episode would have offset any profit they could have made on it. They released the first seven episodes after the pilot on VHS. VHS, as you know, has three recording modes, SP (2 hours for a T-120 cassette), LP (4 hours) and EP (six hours). Almost any movie you purchase or rent on VHS is recorded in SP mode – it has the shortest recording time, but the best sound and picture quality. The first seven episodes were released in this manner on video. However, the episodes didn’t sell as well as Worldvision had hoped (ironically the Laserdiscs fared better so far as percentage of owners was concerned) and the company didn’t feel like releasing the rest of the episodes in sets this way. However, they didn’t want to disappoint fans who wanted the entire show on video, so they released a second set of all 29 episodes on video on six VHS cassettes, recorded at the EP mode. While this did accomplish the goal, the episodes didn’t look or sound very good.

Warner Bros., on the other hand, released the pilot episode a few times on VHS and Lasterdisc – but it was always the European Pilot with the alternate ending. While this has always been “better than nothing”, it’s always made an uneasy transition to the rest of the series, particularly as the orginal pilot has been unseen for nearly a decade.

Now it’s 2001 and Artisan is trying it again. This fall they’re releasing the first of a series of DVD sets of the Twin Peaks episodes on DVD. However, like Worldvision before it, they’ve been unsuccessful in getting the rights to the pilot from WB, so it won’t be in the set.

However earlier this year a DVD started surfacing on eBay in mass numbers under the name HONG KONG TWIN PEAKS DVD. It was the original pilot episode, which has been unavailable on any format anywhere ever. Asia, particularly Southeast Asia, isn’t exactly known for stringent enforcement of International Copyright Law, so most figured this was a DVD of dubious origin. Case in point, the Star Wars movies are officially unavailable on DVD, but that hasn’t stopped them from trickling into this country on the format. In that case they’re taken from a Laserdisc dub so while they’re better looking than the VHS copies readily available, they still leave room for improvement, and they often have foreign subtitles burned in (i.e., can’t be removed). Furthermore, since the last time anyone was able to see this was on ABC in 1990 the theory was it was taken from a bad VHS dub or possibly a stolen master tape. Another suspicous indicator was the fact that it was under the label “Republic Pictures”, which has been defunct since the late 1990’s.

However as it turns out, it’s a legitimate disc. By a weird turn of events, WB’s dominance doesn’t extend to Taiwan, so Aaron Spelling, one of the original producers (really) went to Taiwan and made the DVD he wanted to make, making it Region 0 so all DVD players can play it. And I got one, so once they release the rest of the episodes on DVD and the movie I’ll finally have them all.

The DVD itself is quite interesting – they chose to highlight the names Kyle MacLachlan and Sherylin Fenn. Not Lara Flynn “I’m skinny as a twig and banging Jack Nicholson” Boyle, but Fenn. OK. They also did it to where it’s next to impossible to read what’s on the label of the disc itself, but they did go so far as to include the “Welcome to Twin Peaks” sign itself and actually have the population in near microscopic print. The back has three pictures, two of which have the lone Asian character in the episode – though I don’t think she speaks a line in the whole show. You don’t buy a DVD like this for extras, but they do have two Bios – MacLachlan and that Asian woman. Bizarre. Also, the front of the disc case has “Silver Screen” which is odd since I don’t think anyone is interested in this “line” of DVD’s and this show was never a move in the silver screen.

Rumor is that WB will probably release the pilot on DVD if the Artisan discs become popular and word is once again they’ll whip out the European Pilot. If they’re smart they’ll do a branching thing with both endings – I’d kinda like to see the other, but if they don’t I’m still happy I have this one on DVD.

It’s kinda sad, though, the show was never really brought to a logical conclusion. The ending of the second season was something of a minor cliffhanger and the movie was a prequel, so it didn’t tie up any loose ends (the original idea was for more movies, but that didn’t happen) and some little part of me has always wondered what happened to these ficticious characters, but alas there’s nothing more to tell. Oh well, it’ll be fun rediscovering this little show and phonomenon over time again on DVD.

I never knew that riven was really a word. I saw MSNBC’s “Riven By Conflict” (referring to the middle east) and I thought they had mis-spelled “Driven”, but nope. Turns out the Myst sequel Riven was in fact named after a real word.

The mighty gmax was finally released today, and Blue’s News had a post on it buried within another post in a massive flurry of no hype at all. I of course only know of this profuct because I heard it mentioned a long time ago and I saw (and used) it at QuakeCon 2001. I like Discreet’s enthusaism with this product, but when I almost missed its mention on Blue’s, I was afraid that it would be completely overlooked. However, either Autodesk (Discreet’s parent) is completely incompetent when it comes to FTP servers or they’re getting totally hammered (more likely). I’ll have more on gmax whenever my downloads get finished (like never).

OK, there’s nothing quite as embarrasing as shooting your mouth off about how much better you are beause you do X instead of Y only to learn later why it is people do Y to begin with, which is directly related to their experience and your inexperience.

Ao for that reason, I’ve put up a static SchnappleCam image for the time being. I realize now why people have static images – you only do something worth looking at a few times a day. Plus the cam software I have puts a small drain on my CPU I don’t want at this point. I’m going to rig the page to only show the non-static image at certian times of the day, but in the meantime take a looky at what I got in the mail from Hong Kong yesterday…

ClassicGaming.com has posted an interview with Andrew Davie, a fellow who has created a game for the Atari 2600 recently called QB. They prodded him for some details as to what it’s like to program for the 2600 and he told them of the “synching with the electron gun” bit. I’d heard of this, but never seen it explained anywhere before. Here’s what he had to say:

A typical TV picture is composed of many horzontal lines (have a close look at any TV image). When a TV is drawing the picture that you see, it draws it line by line, very quickly. There are 262 lines in a typical NTSC TV image, and each image (“frame”) is displayed for just 1/60th of a second. So, in other words, the entire picture is redrawn 60 times per second. In all modern video game systems, there is a bit of hardware which “feeds” the correct picture to the TV, line by line, so that it draws the image you want. Typically, some memory on the console is used to contain the data for generating the TV image, and the hardware just looks at the memory to see what to send to the TV.

Now, in the Atari 2600, there is NO video memory. And there is NO hardware to tell the TV exactly what to display for the entire frame! All that the machine does have is a few registers (memory locations) to which you write single-bytes (8 pixels) of data. The hardware sends the contents of these registers to the TV. To get any meaningful pictures on the TV, you have to make your program write to these registers very very quickly, so that the changing pattern in the registers will draw the picture on your TV as the TV electron-beam sweeps line-by-line down the screen.

The only way to do this effectively is to know exactly how long it takes the TV to draw a single line, and exactly where the electron-beam is on the line, so that you can change the registers at exactly the right time. And the only way to be exactly sure of the time is to “cycle-count” your code. Basically, you have to know EXACTLY how long each instruction takes, and make sure that when you write data to the registers, you are “at” the correct place in the TV picture. In other words, not only does the code do all the drawing of the TV picture, it is actually totally in-synch with the So, Atari 2600 programmers are not just limited by the small amount of RAM (128 bytes) and ROM, but also by the need to do the work of a video-chip, by controlling the data that is sent to the TV for display. To get complex graphics on the screen, it is often necessary to change the registers in the MIDDLE of scan lines, at exactly the right point in time. It is quite challenging, and quite foreign most modern console programmers.

Holy shit! You have to give it the pixels as the TV is drawing them! How did anyone make a game for this console? Better yet, how did they make E.T. in 2 weeks, even as crappy as it was? No wonder people take up programming for the 2600 these days – if you can pull anything off on it you’re worth your salt. I’ll have to put this on my “to do” list – due date in the next five years or so…

I’ve lucked out. Seems that TNN (formerly The Nashville Network but now The National Network now that country music is in the shitter) is now the new home for rerun episodes of Star Trek: The Next Generation. Further, they’re running a marathon starting October 1st of ST:TNG episodes and such, and it continues for a full week. The part I’ve lucked out on, however, is that they’re not showing every episode and so therefore I don’t feel an overwhelming urge to tape them all, 24-7. Phew, that was close. However, they are playing the episodes in order after that. Perhaps it’s time to give up my NYPD Blue quest in order to persue better endevours…

Okay folks, here’s a head-scratcher. Remember the magazine Total Movie? I subscribed to this magazine for its initial doomed 4 issue run – a bimonthly issue and a DVD full of movie trailers and short films. It was pretty cool, I thought.

I think what happened to the remainder of money for the magazine went into my Next Generation subscription (along with the money applied to the failed Official Sega Dreamcast Magazine). However, now Total Movie has relaunched and it’s a little more pricey this time. However, according to the relaunched website, the yearly subscription price of $39.99, you get 6 bi-monthly issues of Total Movie, 6 bi-monthly issues of Inside DVD (a second magazine that apparently doesn’t even bother with a print medium – it’s just a snapper case) and – here’s the kicker – 40 DVD movies.

Here’s what they say about that:

“The 40 movie bundle includes Classics, Westerns, Noir, Sci-Fi, Cult, Animation and even French New Wave; from directors including Alfred Hitchcock, Orson Welles, Francis Ford Coppola and Frank Capra; starring actors including Jack Nicholson, Marlon Brando, Cary Grant and contemporary fave John Travolta.”

Damn. I really want this now. Of course this hits as all my magazine subscriptions need to be renewed and I have a hard enough time doing that – plus they’re being delayed because the money is tight (as always). But still – even though I know that a lot of these movies won’t be, say, A+ titles, it would be cool to suddenly have a much expanded DVD collection for cheap. My guess is these are probably a bunch of “never did sell” titles that perhaps would be nice to have on DVD but you would never get around to buying for various reasons If you only get to buy a DVD once in a blue moon, it’s always something balls-out like Star Wars, but for those “eh, what the hell…” movies this may be just what you need. Kinda like when you flip to a Turner owned network and they’re playing some movie you’d like to watch, but you don’t want to pay $20 for.

Must… scrounge up…. change….

(having said that if they’re all shit movies there’s no way I’m getting it – someone’s bound to put out a list of them soon)